The Christian Lombardi Vice July 2011 Shoot Shows Drug Enforcers Action
Jordan Sowunmi — July 16, 2011 — Fashion
References: lightstalkers.org & viceland
The Christian Lombardi Vice Magazine July 2011 editorial takes viewers into the dark and violent world of the Bolivian Mobile Police Unit for Rural Areas (UMOPAR) from 1997-2001 when they valiantly fought the cocaine smuggling kingpins who dominated the country.
This Christian Lombardi Vice shoot is exciting, dangerous and frightening. Lombardi spent four years embedded with the (then) CIA-funded Mobile Police Unit for Rural Areas (UMOPAR), following them on their missions as they sought to capture and destroy drugs hidden in the swamps and forests of Bolivia.
My favorite image in the Christian Lombardi Vice collection is sixth one. It shows two men dressed in fatigues examining a large ball wrapped in yellow. Lombardi's caption for the picture reads, "As we were wrapping up, a UMOPAR soldier turned to me and said, 'You forgot your camera bag!' I replied, 'I didn’t bring a bag.' We opened it and found a one-kilo ball of cocaine sulfate. A drug mule must have abandoned it on the side of the road after realizing there was a checkpoint ahead."
It's not the flashiest picture in the collection, but it perfectly illustrates the hidden danger, cat and mouse game that Christian Lombardi and the UMOPAR lived with in those turbulent years.
This Christian Lombardi Vice shoot is exciting, dangerous and frightening. Lombardi spent four years embedded with the (then) CIA-funded Mobile Police Unit for Rural Areas (UMOPAR), following them on their missions as they sought to capture and destroy drugs hidden in the swamps and forests of Bolivia.
My favorite image in the Christian Lombardi Vice collection is sixth one. It shows two men dressed in fatigues examining a large ball wrapped in yellow. Lombardi's caption for the picture reads, "As we were wrapping up, a UMOPAR soldier turned to me and said, 'You forgot your camera bag!' I replied, 'I didn’t bring a bag.' We opened it and found a one-kilo ball of cocaine sulfate. A drug mule must have abandoned it on the side of the road after realizing there was a checkpoint ahead."
It's not the flashiest picture in the collection, but it perfectly illustrates the hidden danger, cat and mouse game that Christian Lombardi and the UMOPAR lived with in those turbulent years.
Trend Themes
1. Dangerous Photojournalism - There is a trend towards photographers embedding themselves in dangerous situations to capture unique images that document the world around us.
2. War Correspondence - As society becomes more desensitized to violence, there is a trend for news outlets to send journalists into active war zones to capture graphic images that detail the atrocities happening around the world.
3. Uncovering the Truth - There is a trend towards investigative photojournalism that reveals shocking truths about the dark and dangerous world we live in.
Industry Implications
1. Photojournalism - Opportunities exist for photojournalists to focus on investigative journalism and provide unique perspectives on dangerous situations that traditional news media may avoid.
2. News Media - As viewer demand for graphic and violent news content increases, there is an opportunity for news media outlets to send reporters into dangerous situations to provide unique perspectives and increase viewership.
3. Security Services - There is an opportunity for security services to leverage the skills of photojournalists and journalists to document and report on dangerous situations to provide a unique perspective and create awareness of their efforts to keep society safe.
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