The Camouflage Armchair Attracts Rather than Conceals
Meghan Young — December 7, 2009 — Art & Design
References: godoylab & contemporist
I get why the Camouflage Armchair is named so, yet this seat is sure to draw attention rather than conceal anything as the name suggests. A beautifully carved furniture piece, I’m sure people won’t care that the name isn’t descriptive of its function.
Designed by none-other-than Emiliano Godoy, the Camouflage Armchair is made from Oriented Strand Board. Although commonly used for tabletops, back panels and such, the Camouflage Armchair is certainly unconventional. For more info an images, visit Contemporist.com.
Designed by none-other-than Emiliano Godoy, the Camouflage Armchair is made from Oriented Strand Board. Although commonly used for tabletops, back panels and such, the Camouflage Armchair is certainly unconventional. For more info an images, visit Contemporist.com.
Trend Themes
1. Carved Furniture - There is an opportunity for disruptive innovation in the furniture industry by creating uniquely designed and carved furniture pieces.
2. Unconventional Materials - Exploring the use of unconventional materials, like Oriented Strand Board, can lead to disruptive innovations in various industries, such as interior design and home furnishing.
3. Attention-grabbing Design - Creating furniture pieces that attract attention through distinctive and visually striking designs presents an opportunity for disruptive innovation in the home decor industry.
Industry Implications
1. Furniture - The furniture industry can embrace disruptive innovation by incorporating carved designs and unconventional materials into their product offerings.
2. Interior Design - Disruptive innovation in the interior design industry can be achieved by introducing attention-grabbing furniture pieces with unique carving techniques.
3. Home Furnishing - Innovations in home furnishing can involve using unconventional materials like Oriented Strand Board to create visually appealing and distinctive furniture pieces.
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