The Volt Magazine February 2014 Photoshoot Stars Tessa Antifave
Meghan Young — February 27, 2014 — Fashion
The Volt Magazine February 2014 editorial embraced the color of love for the month of love. From all-red outfits to a scarlet backdrop and similar makeup hues, the looks might seem overboard in theory, but the monochromatic palette simply makes the photoshoot stand out all the more. It helps that the images have a bit of an abstract nature to them.
Titled Recurrence, the Volt Magazine February 2014 editorial stars Ford model Tessa Antifave. The blonde beauty was shot by photographer Rui Faria, who concentrated on close up portraits, which is only natural considering it is a beauty editorial. The looks were perfected with ruby red nail polish, crimson eye shadows and, of course, a classic berry lip.
Titled Recurrence, the Volt Magazine February 2014 editorial stars Ford model Tessa Antifave. The blonde beauty was shot by photographer Rui Faria, who concentrated on close up portraits, which is only natural considering it is a beauty editorial. The looks were perfected with ruby red nail polish, crimson eye shadows and, of course, a classic berry lip.
Trend Themes
1. Monochromatic Beauty - The use of a single color beauty palette creates impactful and timeless editorial looks.
2. Abstract Photography - Photographers can experiment with abstract techniques to create unique and captivating beauty editorials.
3. Color-themed Fashion - Fashion shoots can embrace a single color scheme to create visually stunning imagery and stand out from the competition.
Industry Implications
1. Fashion - Fashion companies and editorial magazines can use monochromatic fashion and beauty styling to generate engagement and branding opportunities.
2. Photography - Photography professionals can leverage innovative abstract techniques to create visual interest and elevate their work.
3. Beauty - Beauty companies can explore creative beauty looks with single color palettes, and bold eye and lip make-up, to highlight products and drive sales.
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