Ujin Lee and Tom Edwards Sweeps 'Dust' Into Art
Meghan Young — September 14, 2009 — Tech
References: ujinlee & todayandtomorrow.net
I detect some possible ‘Lost’ fans. I mean, looking at Ujin Lee and Tom Edwards ‘Dust’ collection, it’s hard not to conjure up images of Lost’s own smoke monster. As an ongoing project and collaboration, the rational behind this photo art has yet to be revealed. Nevertheless, the sinister feeling behind them is hard to shake.
After peeping over at some of Ujin Lee’s individual work, it seems inclined to an apocalyptic theme. I was particularly drawn to the ‘Seed’ collection, which depicts a decaying motif juxtaposed with the idea of birth (hence the title ‘Seed’). Although disquieting beauty is captured in both, it’s the menacing mood in Ujin Lee and Tom Edwards ‘Dust’ collection that gets to me most.
After peeping over at some of Ujin Lee’s individual work, it seems inclined to an apocalyptic theme. I was particularly drawn to the ‘Seed’ collection, which depicts a decaying motif juxtaposed with the idea of birth (hence the title ‘Seed’). Although disquieting beauty is captured in both, it’s the menacing mood in Ujin Lee and Tom Edwards ‘Dust’ collection that gets to me most.
Trend Themes
1. Apocalyptic Art - Exploring the theme of decay and birth in art, there is an opportunity for disruptive innovation in creating immersive and interactive experiences that evoke a sense of apocalyptic beauty.
2. Sinister Aesthetics - The use of sinister elements in art is a trend that can be leveraged to create disruptive innovation in industries such as fashion, film, and advertising, by tapping into the emotions of intrigue and fear.
3. Decaying Motifs - The juxtaposition of decay and growth in art offers an opportunity for disruptive innovation in the fields of interior design and urban planning, by transforming dilapidated spaces into unique and inspiring environments.
Industry Implications
1. Art - In the art industry, there is a potential for disruptive innovation in creating immersive and interactive experiences that challenge traditional notions of beauty and aesthetics.
2. Fashion - The fashion industry can embrace the trend of sinister aesthetics to create disruptive designs that evoke emotions of intrigue and fear, pushing boundaries and breaking traditional fashion norms.
3. Film and Advertising - By incorporating sinister elements in film and advertising, there is an opportunity for disruptive innovation in storytelling and visual communication techniques, creating captivating narratives that leave a lasting impression on audiences.
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