Model Abbey Lee Kershaw Gets Metallic for ‘Lunaire' in Numero
Marissa Liu — December 8, 2009 — Fashion
References: numero-magazine & fashiongonerogue
The futuristic editorial 'Lunaire' in Numero magazine features Australian model Abbey Lee Kershaw sporting slicked back hair and metallic makeup. Liz Collins captured what seems to be a beauty editorial while Stephanie Kunz and Johnathan Kaye were in charge of makeup and styling.
Fashions including those from Roberto Cavalli, Gucci, Yves Saint Laurent, Givenchy and Chanel are featured in 'Lunaire' in Numero.
Implications - Abbey Lee Kershaw sports some interesting makeup styles such as highly defined lashes, blue and silver eye shadows and a fresh face that is completely neutral and natural. Some of the images have a blurred effect that adds mystery and intrigue to the Numero magazine editorial.
Fashions including those from Roberto Cavalli, Gucci, Yves Saint Laurent, Givenchy and Chanel are featured in 'Lunaire' in Numero.
Implications - Abbey Lee Kershaw sports some interesting makeup styles such as highly defined lashes, blue and silver eye shadows and a fresh face that is completely neutral and natural. Some of the images have a blurred effect that adds mystery and intrigue to the Numero magazine editorial.
Trend Themes
1. Futuristic Makeup - There's an opportunity for makeup brands to create new shades and finishes to capture the futuristic makeup trend.
2. Metallic Fashion - Clothing brands can create collections that incorporate metallic finishes to align with the trend in 'Lunaire' in Numero.
3. Blurred Photography - There's potential for photographers to experiment with blurred effects in their work to add mystery and intrigue.
Industry Implications
1. Beauty - Beauty brands can create products inspired by the makeup styles in 'Lunaire' in Numero.
2. Fashion - Clothing brands can take cues from the featured designers in 'Lunaire' in Numero to create futuristic collections.
3. Photography - Photography equipment companies can promote the use of certain lenses and techniques to capture the blurred effect seen in 'Lunaire' in Numero.
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