Japanese designers Jun Takahashi and Takahiro Miyashita held a faceless high fashion runway of their contemporary men's fashion and streetwear line. There was a pre-established theme to the show that was inspired by the symmetrically reflective relationship of order and disorder.
The faces of the models were hidden behind fabrics and there was a definite recurrence of what some might call an 'Assassin's Creed' motive. It is reported that the designers agreed on the overall thematic and desired effect of the menswear, but Takahashi and Miyashita both worked in isolation in their respective studios. The faceless high fashion show could be accredited to commenting on the semidetached relationships and perceptions of anonymity and identity in the 21st Century. However, the overall vibe of the runway was directly challenged by the finale — a line of models in black synthetic jeans and crop-top harnesses.
Faceless High-Fashion Runways
Takahiro Miyashita Worked on 'The Soloist' in Isolation
Trend Themes
1. Faceless Runways - The trend of faceless runway shows could inspire new and innovative ways to showcase fashion and design.
2. Isolation Design - Isolation design presents an opportunity to explore the creative process and generate unique and unexpected results.
3. Anonymity and Identity - The juxtaposition of anonymity and identity in fashion could create a conversation around personal expression and societal norms.
Industry Implications
1. Fashion - The faceless high fashion show suggests that fashion designers could experiment with unconventional designs and concepts that challenge conventions.
2. Design - Isolation design could be used to push the boundaries of traditional design by forcing creators to think outside the box.
3. Identity Technology - The comment on anonymity and identity made by the faceless runway concept could inspire new developments and approaches in identity technology.