Inspired by artists like Cezanne who shocked viewers of their times, artist Paul Rousso wants to portray something as ordinary as American cash as something extraordinary.
He takes photographs of crumpled up American currency covered in dirt and grime and blows them up into large-scale portraits that emphasize every line and detail in the bills. Over time, with multiple exchanges, this collection of American money has become discolored, disfigured and generally altered a great deal from its original pristine condition. No one knows all of the sights these bills have seen, all the adventures they went through and the various people, from drug dealers to millionaires, that handled them.
Paul Rousso entices people to see dirty American cash as creative artwork.
Crumpled US Currency Captures
Paul Rousso Displays Amplified American Cash as Artwork
Trend Themes
1. Amplified Currency Artwork - Using photography and large-scale portraits, artists create striking visuals of crumpled and altered American cash, transforming something ordinary into extraordinary art.
2. Exploring Discolored Currency - Artists utilize dirty and disfigured American currency to provoke thoughts about the history, people, and stories behind each bill.
3. Reimagining Monetary Value - Through the transformation of American cash into creative artwork, artists challenge traditional notions of monetary value and invite viewers to perceive it from a new perspective.
Industry Implications
1. Fine Arts - Artists in the fine arts industry can incorporate the concept of amplifying and altering currency as a medium to create unique and thought-provoking artworks.
2. Photography - Photographers can experiment with capturing the beauty and intricacies of crumpled and discolored currency, expanding their artistic vision and challenging traditional subject matters.
3. Art Galleries - Art galleries can embrace the display and exhibition of amplified currency artwork, attracting audiences intrigued by the innovative approach to transforming everyday objects into art.