Lovely Multihued Pieces From Tsunami Glassworks
Marissa Liu — February 6, 2010 — Art & Design
References: tsunamiglassworks & design-milk
These lovely, intensely coloured vases from Tsunami Glassworks would look stunning in any home. You don’t even need to fill them with flora or fauna as they look incredibly on their own. All of Tsunami Glassworks pieces have a tactile softness to them that reminds one of the colours of nature.
Eva Milinkovic and Kriston Gene are the two artisans who produce works under the name Tsunami Glassworks. They use traditional glass etching and hand-blowing techniques to create their amazing vases and art pieces.
Eva Milinkovic and Kriston Gene are the two artisans who produce works under the name Tsunami Glassworks. They use traditional glass etching and hand-blowing techniques to create their amazing vases and art pieces.
Trend Themes
1. Intensely Coloured Vases - The trend of intensely coloured vases presents opportunities for glassworks companies to create unique and visually stunning pieces for the home decor market.
2. Tactile Softness - The trend of incorporating tactile softness in glassworks offers opportunities for artisans to create innovative and sensory experiences through their designs.
3. Traditional Glass Etching - The trend of using traditional glass etching techniques opens up opportunities for glassworks artists to revive and modernize this traditional art form.
Industry Implications
1. Glassworks - The glassworks industry can seize the disruptive innovation opportunity by creating intensely coloured vases that appeal to the growing demand for unique home decor pieces.
2. Home Decor - The home decor industry can tap into the trend of tactile softness in glassworks to offer customers innovative and sensory home decor products that elevate the overall aesthetic of their space.
3. Artisan Crafts - Artisan crafts industry can capitalize on the trend of traditional glass etching to create contemporary art pieces that blend traditional techniques with modern design elements.
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