The T.S Abe 'Krush' Portfolio Shows a Huge Drawing Talent
Meghan Young — November 27, 2010 — Art & Design
References: krop & behance.net
The T.S Abe 'Krush' portfolio shows an immense illustrating talent. Both detailed and realistic, these drawings will undeniably make you do a double take.
The T.S Abe 'Krush' portfolio is only a sample of what this young artist is capable of. She has already garnered a bit of recognition, having had her work used for album covers, buses and exhibits. She recently showcased her work at The Electric Blue Gallery and was featured in Dazed & Confused magazine.
The T.S Abe 'Krush' portfolio is only a sample of what this young artist is capable of. She has already garnered a bit of recognition, having had her work used for album covers, buses and exhibits. She recently showcased her work at The Electric Blue Gallery and was featured in Dazed & Confused magazine.
Trend Themes
1. Hyperrealistic Art - The incredibly intricate illustrations by T.S Abe 'Krush' demonstrate the trend of hyperrealistic art, blurring the lines between reality and artistry.
2. Digital Illustration - T.S Abe 'Krush's portfolio highlights the growing trend of digital illustration, showcasing the use of technology in creating intricate and realistic artwork.
3. Artistic Collaboration - The T.S Abe 'Krush' portfolio emphasizes the trend of artistic collaboration, as her work has been used for album covers, buses, and exhibits, showcasing the merging of art and commercial projects.
Industry Implications
1. Art and Design - The art and design industry can leverage the trend of hyperrealistic art to create visually impactful and awe-inspiring artwork.
2. Entertainment - The entertainment industry can embrace the trend of digital illustration to enhance visual effects in movies, animation, and game development.
3. Advertising and Marketing - The advertising and marketing industry can tap into the trend of artistic collaboration to create eye-catching campaigns by collaborating with talented artists like T.S Abe 'Krush'.
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