The Great Omar Peacock is Stunningly Intricate and Elegant
Meghan Young — August 26, 2011 — Art & Design
References: behance.net & neatorama
The Great Omar Peacock looks like it was sculpted out of precious metals rather than paper. In fact, if we go down this road, it looks more like a real peacock than a fake one. Stunningly intricate and elegant, this sculpture was inspired by "the cover of 'The Great Omar,' a collection of Persian poems known as the most precious volume ever bound," according to its designers.
Handcrafted by The Makerie, the name which Julie Wilkinson and Joyanne Horscroft work under, the Great Omar Peacock was created for London paper merchants Shepherds Bookbinders. Wilkinson and Horscroft used papers from their range to produce it, and it is currently being displayed in the company's Holborn location store.
Handcrafted by The Makerie, the name which Julie Wilkinson and Joyanne Horscroft work under, the Great Omar Peacock was created for London paper merchants Shepherds Bookbinders. Wilkinson and Horscroft used papers from their range to produce it, and it is currently being displayed in the company's Holborn location store.
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1. Paper Sculpture - Disruptive innovation opportunities in the paper sculpture industry include using unconventional materials and incorporating technology for interactive experiences.
2. Intricate Design - Disruptive innovation opportunities in the design industry involve leveraging advanced 3D printing techniques and computer-aided design (CAD) software to create highly detailed and complex artworks.
3. Luxury Craftsmanship - Disruptive innovation opportunities in the luxury industry include integrating sustainable materials and ethical practices into traditional craftsmanship processes.
Industry Implications
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3. Stationery and Paper Goods - Disruptive innovation opportunities in the stationery and paper goods industry involve incorporating unique artistic elements into functional products, such as using paper sculptures as decorative covers for notebooks and journals.
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