There is something quite eerie about the Watchmen photo series. It almost looks like these Watchmen are waiting for something, anticipating something. Instead of watching people, they may be looking out for an expected event of some kind.
Shot by Paris-based photographer Lionel Bayol-Thémines, the Watchmen photo series’ mysteriousness really plays on its audience’s emotions. Because of the clever perspective created in each Watchmen still, the viewer can even imagine him or herself becoming one of these Watchmen. Therefore, the Watchmen series invites people to become more invested with each image.
It is this interactivity within the medium of photography that really attracts people to the Watchmen photo series. Although photography is known to shed light onto certain subject matters, this series takes it to a whole new level.
Masked Observer Photography
The Watchmen Series Turns the Audience Into Watchers
Trend Themes
1. Interactive Photography - The Watchmen series demonstrates the growing trend of interactive photography, engaging viewers and allowing them to become part of the artwork.
2. Mysterious Perspective - The use of clever perspective in the Watchmen series showcases the trend of creating mysterious and immersive experiences through photography.
3. Emotional Engagement - The Watchmen series taps into the trend of evoking strong emotions and inviting viewers to become emotionally invested in the artwork.
Industry Implications
1. Photography - The Watchmen series presents an opportunity for photographers to explore innovative ways to engage viewers and create interactive experiences.
2. Art and Design - The trend of immersive and emotionally engaging photography seen in the Watchmen series opens up opportunities for artists and designers to push the boundaries of their craft.
3. Interactive Experiences - The interactivity and sense of anticipation in the Watchmen series present opportunities for industries focused on creating interactive experiences, such as virtual reality or augmented reality companies.