This Marwane Pallas Photography brings whimsical fantasy in the real world. At only 20-years-old, the French photographer Marwane Pallas creates these magical captures. Many of Pallas' conceptual work are self-photographs, submerging himself into beautiful landscapes and almost dream-like environments. These breathtaking photographs create an interesting interaction between humans and the natural world.
The pictures are trying to find a new perspective within reality. Pallas explains that many of his photographs are completely improvised. As the artist said to the website My Modern Met, the improvisation leads them to have "a bit of surrealism," to them. These captivating exploits examine a world lost between reality and whimsy. Pallas' photographs are taken and then during the editing process truly amplified, especially the colors, which completely pop from the page.
Surreal Conceptual Portraitures
This Marwane Pallas Photography is Fantastical and Eye-Catching
Trend Themes
1. Whimsical Photography - Pallas' surreal and fantastical photography presents an opportunity for disruptive innovation in photography aimed at creating surrealistic and dream-like images.
2. Immersive Landscapes - Pallas' exploration of beautiful landscapes in his surreal portraits presents an opportunity for disruptive innovation in immersive natural environments.
3. Surrealistic Realism - Pallas' vision of capturing surrealistic elements within the real world presents an opportunity for disruptive innovation on capturing reality through a different perspective.
Industry Implications
1. Photography - Pallas' work presents disruptive innovation opportunities in photography techniques and editing.
2. Art - Pallas' surrealistic and whimsical style presents an opportunity for disruptive innovation in the art world, especially in painting and sculpture.
3. Tourism - Pallas' immersive natural landscapes present an opportunity for the tourism industry to create immersive and surrealistic experiences that capture the natural world like never before.